randomosity

Today’s gadget du jour is the Royaltek RGM-3800 GPS Receiver and Datalogger. I have long wanted to experiment with one of these and today one arrived in the post from the UK. It’s a small ticket item (€50), but after a short test here I am very, very impressed. A GPS datalogger is just like your fancy GPS car receiver that projects your track on an LCD screen with the difference being, there’s no screen, and it simply records your position to flash memory at regular intervals. You can then download the datafile to your computer and plot the data on a map using google maps or similar.

It arrived this morning and I popped the batteries into it. It’s not much of a test as I sit here in the office, but Matt had to go out to run some errands and I asked if he would take it with him. I installed the software (Windows only unfortunately - Parallels to the rescue). The install was smooth and the device was recognized immediately. I access it and changed to logging interval to 15 seconds. The device itself is about half the size of a current mobile phone. It is powered by two AA batteries which supposed allow it to fill the memory a few times.

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Last night marked a first visit to the IFI (Irish Film Institute). The IFI, I have gathered and can now confirm is a wonderful

venue for those in the know. They feature a full slate of movies, largely European indie flicks, definitely of eclectic rather than popular taste. Last night for example featured: Paris, City of Men, L’Heure d’été and Ledjis.
Last night’s objective was to see the rather innocuously named Paris. Read the movie summary, but went in with little idea about what we were going to see. This 2008 film from Cédric Klapisch earns a very strong must see recommendation! It centres on the flamboyant professional dancer Pierre (Romain Duris), who has been diagnosed with a terminal heart condition and his sister (Juliette Binoche) who sheds work responsibilities to move in and care for him. Much in the style of his earlier, and superb L’Auberge Espangnole, Klapisch ingeniously webs a series of tangentially interlocking story lines. He keeps you guessing at to when and where the stories will intersect, and aside from some rather clumsy foreshadowing in one of the tragic sequences, he plays his hand well.

Cross-posted to Dublinica.

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