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Who Writes This Stuff?
Well, Me. My name is Shawn Day and I am a PhD student in the History Department at McMaster University in Hamilton. Academically, my research interests revolve about nineteenth century Canadian economic, business and social history. Most specifically the role of drink and those who served them in late 19thC Ontario. More broadly I explore the adaptation of technology and information visualisation to the pedagogical process. Professionally, I earned my stripes in the dotcom boom as jack-of-all trades in co-founded development ventures. Prior to that I was a self-employed journeyman involved in diverse aspects of information architecture. I have some history in technology and a joy in life is catalyzing the reaction between technology and the study of history.
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Movies I've watched recently:
- Comfort and Joy (1984) 8/10
  2008-06-01 20:54
  
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- The Boys from County Clare (2003) 8/10
  2008-06-01 20:53
  
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- The Wind and the Lion (1975) 9/10
  2008-06-01 19:36
  
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- House of Cards (1968) 8/10
  2008-05-28 14:01
  
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- Run Fatboy Run (2007) 7/10
  2008-05-26 12:37
  
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- Indiana Jones and the Kingdom of the... 8/10
  2008-05-26 12:30
  
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The 'new' TAPoRware Word Cloud is dynamically generated on page load and takes the words on that page as source. Hovering over a word will pop up the number of time it occurs on this page

Mar 21

Life and Death In Bruges

Bruges at Christmas time. A lovely medieval preserved town with a festive spirit and now blessed with two hit men laying low at a quaint hotel. How can one react to this movie? In Bruges is a treat!!

Characterization and the characters are superb. Dialogue is witty and fast paced. The scenery of Bruges is shot magnificently. There are little 10 second vignette shots that work very well. The movie follows the two hit men taking refuse following a botched job. The hunker down to await a call. As Vladimir and Estragon, Ray (Colin Farrell) and Ken (Brendan Gleason) adopt entertainly different approaches to their enforced tourism. Maybe its just the Irish way, but I feel some Beckett here.

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